PicksInSix Review: The Audience - Drury Lane Theatre
Brooks Holds Court in “The Audience.”
PicksInSix® Review | Guest Contributor | Ronald Keaton
I had the unique opportunity of seeing the original Broadway production of Peter Morgan’s historical play about Queen Elizabeth II, “The Audience,” back in 2015, with the fabulous Helen Mirren and a host of excellent actors in support. The research into the subject matter is meticulous and well-organized, and if you’re a history buff, you will absolutely love this wonderful creativity. If you’re not and you keep an open mind, it will lure you in with a kind of picture-book approach of a history lesson, that couldn’t be more entertaining in its turns, and they’re offered by the fine actors seen here.
“The Audience” takes place during the reign of Queen Elizabeth II, specifically focusing on her weekly meetings with the prime minister in office. It’s not told in a linear fashion, but in a kind of memory focus, so we get an interesting and full scrapbook of storytelling. There’s even a narrator-on-staff, so to speak—the versatile Jürgen Hooper as the Equerry—to help guide us through the maze of time and place and, well, all the prime ministers, as well as a young Elizabeth (Omi Lichtenstein in an impressive turn) to whom the adult Queen can relate to on occasion.
All the meetings are held in what’s called ‘The Meeting Room’ in Buckingham Palace. It is very simple, accessible staging by director Jessica Fisch. Center stage are two chairs with a small table between them, where all the discussions take place. It might have helped a bit to have the prime ministers and/or the Queen get up and move more often to vary the scene, but that’s nothing that overcomes the fine storytelling. Ms. Fisch also has created a smooth, absolutely silent scene change habit for those chairs and other set pieces, musically underscored, that actually entertains on its own, thanks to a wonderfully restrained, elegant scenic design by Andrew Boyce.
The entire play is owned by Queen Elizabeth II and taken into charge by the redoubtable Janet Ulrich Brooks, one of Chicago’s truly talented, fascinating actors. She plays Elizabeth from the beginnings of her reign in 1952 by meeting her first Prime Minister, Winston Churchill (an irascible, almost knightly Matt DeCaro), who detests and resists any turn from tradition in the meetings and, indeed, reinforces the Queen’s grandfather, George V, in his insistence on maintaining such structure. The Queen stands up to the great man with questions and methods of her own; they reach a shaky truce of sorts by meeting’s end, and one tips a hat to her resolve.
All the Prime Ministers are at once impressed, shaken and establish their own friendly joust with the Queen. The first PM appointee Anthony Eden (excellently manipulative and fearful by Mark Ulrich) betrays his reputation with his mismanagement of the Suez Canal affair. Ron E. Rains offers a surprisingly full-bodied and humorous Harold Wilson, thanks to the playwright’s gift of three different scenes with the Queen. (Mr. Wilson did have two separate terms in office, thus justifying what we see.) Susie McMonagle clutches the expected aggressive stance as Margaret Thatcher in a gripping, properly uncompromising exchange with Brooks’ Queen. Both John Major (John Judd) and Tony Blair (Alex Goodrich) leave strong marks on their terms in the office for totally disparate reasons. The Scot, Gordon Brown (Raymond Fox) followed the Churchillian path of Chancellor of the Exchequer in stabilizing the UK’s economy, which led to his PM appointment. And David Cameron (a second turn by Mr. Goodrich) led the first peacetime British coalition government that voted to leave the European Union in 2016, forcing him to resign.
The richness in history is handled by Elizabeth with varying degrees of attitude, but always in support of each charge. And the many physical changes in Ms. Brooks’ appearance onstage are deftly handled through those aforementioned scene changes with wig and dress by a hugely talented palace staff, both in the story and through the craft. This fine production of a rare play runs at Drury Lane Theatre in Oakbrook Terrace through October 20.
GUEST CONTRIBUTOR | RONALD KEATON received an Equity Jeff Award for the performance of his one-man show CHURCHILL. www.solochicagotheatre.com Coming soon, his new solo play “Echo Holler.” www.echoholler.com
PHOTO| Brett Beiner
Drury Lane Theatre
presents
The Audience
100 Drury Lane
Oakbrook Terrace
through October 20, 2024
WEBSITE
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