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Filtering by Tag: Jeffrey Hatcher

PicksInSix Review: The Front Page - Northlight Theatre

 
 

‘The Front Page’ - A Grand Slam!
PicksInSix® Review |
Ed Tracy

As if ripped from the headline of a major market daily, Northlight Theatre opened their sparkling new Evanston home on Friday night with a fast, fierce and uproariously funny production of “The Front Page” on the very day that the First Amendment is again under siege in Washington.

And even as life imitates art, and that other story is still playing out at our press time, the headline here is that BJ Jones, the Walter C. Greenough Artistic Director and the entire Northlight organization have checked every box for success. A new, state-of-the-art home. A terrific world premiere adaptation of the Ben Hecht|Charles Macarthur Chicago-based classic by Jeffrey Hatcher. A magnificent company of actors that reads like a who’s who of theatre royalty in town, and; a wildly appreciative audience soaking up every memorable moment. Simply put, Northlight’s “The Front Page” is a Grand Slam!

Without missing a beat, Hatcher has winnowed the original script down to two highly entertaining acts with a fast-paced run time of just over 100 minutes. The action flies by with the likes of the exquisite duo of Kate Fry as ace reporter Hildy Johnson and real-life husband Timothy Edward Kane as her dominating editor Walter Burns, and a press room that includes Guy Swearington (Endicott), Kelan M. Smith (Kruger), Joe Dempsey (McCue) and Mark David Kaplan (Bensinger) caught in the middle of an escalating crisis involving Earl Williams (John Drea), an escaped man convicted of murder and destined for the gallows the following day.

The political twist to the story is served up by the hilarious performances of William Dick as Sheriff Hartman, John Lister as The Mayor and Tim Kazurinsky, who all but steals the show as Pincus, the bearer of good news for Williams and bad news for the pending election only a few days away. As Hildy does all she can to follow through with her plans to run away to New York with her fiancé Brad Hefflefinger (Peter Moore), Burns lures her back to cover the story of the century. All the while, Brad, his staunchly suspicious mother, brilliantly played by Cindy Gold, and the sultry Rae Gray as Williams love interest, Mollie Maloy, are comically nibbling around the action.

It all takes place in and around a gritty and artfully detailed set of the Chicago Criminal Courts Building Press Room by Jeffrey D. Kmiec, enhanced by Izumi Inaba’s era-appropriate costumes and the slick, stark lighting of JR Lederle. Andre Pluess’s superb soundscape is key here as the dialogue flies effortlessly to everyone in the new 287-seat space.

It all harkens back to the day when print headlines in the morning edition decisively ruled the news cycle. More than any other profession, the newspapermen—and newspaperwomen—of legacy publications depicted in Northlight’s terrific production of “The Front Page” lived by the phrase: “If your mother says she loves you, check it out!” The lesson learned is that, then as now, there exists a highly competitive atmosphere where dedicated, hardworking reporters are rewarded with a byline, where managing editors must continue to relentlessly push their organizations for all the facts with faith that publishers will stand firm and wield their great power and influence against corruption whenever and wherever it threatens our democracy and quality of life.

PHOTO | Michael Brosilow

Northlight Theatre
presents
World Premiere
The Front Page
1012 Church St,
Evanston, IL

through October 25, 2026


WEBSITE

TICKETS

For more reviews, visit: Theatre In Chicago

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PicksInSix Review: Dial M for Murder - Drury Lane Theatre

 
 

Betrayal, Deception Abound In Classic Thriller!
PicksInSix® Review | Guest Contributor | Regina Belt-Daniels

What comes to mind when you hear or see the title “Dial M for Murder?” The popular Alfred Hitchcock film starring Ray Miland and Grace Kelly, correct? Well, that may be no more; the production currently running at the Drury Lane Theatre Oakbrook is the one to remember now. Written in 1952 by English playwright Frederick Knott, Drury Lane’s chilling production—a tight, carefully orchestrated, thriller—has gone one step farther with Jeffrey Hatcher’s compelling adaptation.

Set in the 1950s, “Dial M for Murder” tells the story of the fractious marriage of the wealthy socialite Margot Wendice (Amanda Drinkall) and her husband, Tony (Erik Hellman) who plans to murder her for her fortune (rather than lose her money to divorce) after discovering her affair with American murder mystery writer Maxine Hadley (Alexandra Silber). Tony blackmails a former Cambridge acquaintance into committing the murder while he establishes an alibi with his BBC radio interview. Of course, the plan goes astray.

Making his Drury Lane debut, Director Adam Immerwahr’s production is suspenseful, engaging, and extremely well-paced as he skillfully weaves the plot together navigating its many dramatic twists and turns with a creative flair for the genre. Upholding a unified vision and mood, Paige Hathaway’s detailed set design of the Wendice’s elegant London living room is plush, lush and gorgeous. All of the technical elements are effective and focused from the lighting design by Emma Deane, the sound design and music composition by Joshua Schmidt, and the beautiful era-appropriate costume design by Nicole Boylan, to the wigs and hair by Bridget Rzymski, and properties by Cassy Schillo. The strong performances of the ensemble benefit from the work of intimacy/violence choreographer David Blixt and dialect coach Julie Foh.

Immerwahr has assembled an incredibly charismatic ensemble of five—in roles that feel tailor made for them—focusing on the intricacies and interactions while heightening tension and suspense. The dialogue is sharp, and precise, revealing the character motivations with themes aplenty: betrayal, deception, justice, greed, love and loyalty.

Drinkall’s Margot is stunning—both in appearance and acting ability—all at once charming, naïve, kind, and with a quiet air of wealth. In Hellman’s Tony, we find a failed novelist who shows the conflicting emotions of a meticulous planner whose selfishness, arrogance, and jealousy run deep. Silber lands a skilled turn as the quick witted and plucky Hadley, the American murder mystery writer who is still in love with Margot. Ian Paul Custer is the man of many names, most recently Captain Lesgate, a shady, convicted criminal accomplice of Tony’s. Custer is very believable, starting out as a nice mustached, three-piece suited colleague who is soon willing to murder Margot for money. Chief Inspector Hubbard (Jonathan Wier) of Scotland Yard doesn’t appear until Act Two and may be a bit eccentric, but he is thorough and steady, thoughtful and intelligent. This is a delightfully strong, talented, and masterful cast.

“Dial M for Murder” is not a murder mystery; it is quite definitely a thriller. We know who’s doing what and what’s going to happen. The suspense is will he get away with it or will he get caught? You may be holding your breath for Margot as this Drury Lane thriller definitely keeps the audience on the edge of their seats— a fresh take on a classic thriller and, by the way, the ending will make you feel happy.

Guest Contributor | Regina Belt-Daniels is a retired special education teacher who has acted, directed, and staged managed throughout Illinois and has reviewed theater for numerous publications for over a decade.

PHOTO | Kyle Flubacker

Drury Lane Theatre
presents
Dial M for Murder
100 Drury Lane
Oakbrook Terrace
through October 26, 2025


WEBSITE
TICKETS

For more reviews, visit:
Theatre In Chicago

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