PicksInSix Review: Gaslight - Northlight Theatre

Northlight’s Taut Thriller Keeps You Guessing.
PicksInSix® Review | Guest Contributor | Ronald Keaton

One of our most prolific and respected American playwrights, Steven Dietz, takes on a famous story based on a 1938 Patrick Hamilton play, which then turns into a 1944 George Cukor classic film with an Academy Award-winning performance by Ingrid Bergman. The result here is “Gaslight,” a taut and fun thriller now playing at Northlight Theatre through January 4.

Mr. Dietz has crafted a period piece of murder, thievery and deception at a fashionable home in New York City, with all the weighty circumstance the great writer will muster. The proceedings are conducted in a stylish, loving way by Jessica Thebus, whose direction changes tempo often enough to instill a sense of variety in what could have been a creaky idea without taking away from the expert storytelling. It is almost symphonically steered, if that makes sense, like a stellar musical score. There is lots to enjoy here for mystery and thriller fans, as the words of Mr. Dietz and the vision of Ms. Thebus seek to collaborate directly to register those multiple points of impact.

To give away the plot to those who may not know it would be to deprive them of a joyful discovery. But in a nutshell: Jack and Bella are a married couple who face constant problems. Bella is experiencing a kind of slow-motion emotional freefall, as Jack seemingly tries to be a calming influence. They have gone to doctors galore to decipher the problem. Bella apparently forgets small things like where she put a grocery bill, where a painting on the wall has disappeared to and then suddenly is found. The damage it is all doing to their marriage is almost irreparable. And there are all kinds of distractions along the way. There are unexplained footsteps that are heard in the night, footsteps that only Bella hears. Jack, in the meantime, goes out at night and enjoys his friends and his revelry, ignoring his wife's travails. And slowly we begin to recognize the real intention here—Jack is driving his wife to madness. But why?

Then there is the sudden and remarkable appearance of a quirky Scotland Yard officer, who explains why he is there to Bella. Bella, of course, is practically on the brink of insanity by this time. But the officer somehow earns her trust and goes along with his plan to find missing gems and to capture the murderer of a woman in that same house so long ago. Along the way, there are two employees of the house, both of whom are loyal to Bella, and who bring a pronounced mystery and fun to the moments at hand, as they assist the officer in their own ways.

A stellar cast brings it all to life. Cheyenne Casebier is eloquent and emotional as Bella, the tender-hearted wife who is slowly being driven crazy. Lawrence Grimm is Jack, and he's properly villainous and smarmy as the manipulative husband. Timothy Edward Kane is Sergeant Rough, the officer from across the pond and the marvelous comic lynchpin in the story. The wonderful Kathy Scambiatterra is Elizabeth, one of the maids who has lovely comic moments in her assistance of the Sergeant, and Janyce Caraballo is Nancy, played as lively and brassy and especially flirtatious to Jack near the end. Two young officers, portrayed by Gavin Rhys and Nathan Reilly, arrive for the final arrest at the play's conclusion.

Much admiration should go to Collette Pollard's set design of the house, both cavernous in one sense and sparse in another, in its depiction of two floors of the home. JR Lederie's light plot is highly mysterious and almost noir-like in its intent. The expert Andre Pluess layers a sound design of sparse touches and variety into the gathering, a perfect approach for this play. All in all, “Gaslight” is a fabulous experience to witness at this holiday season.

GUEST CONTRIBUTOR | RONALD KEATON received an Equity Jeff Award for the performance of his one-man show CHURCHILL. www.solochicagotheatre.com.  Coming soon, his new solo play about Ben Franklin, THE FIRST EMBASSY.

PHOTO|Michael Brosilow

Northlight Theatre
presents
Gaslight
9501 Skokie Boulevard
Skokie
through January 4, 2026

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PicksInSix Review: Inherit the Wind - Goodman Theatre

“THE RIGHT TO THINK ON TRIAL”
PicksInSix® Review | Ed Tracy

The image has all the makings of a Norman Rockwell painting.

The citizens of rural Hillsboro, clustered four-deep in the steamy courthouse, leaning in and transfixed by the sudden turn of events at the trial of Bertram Cates (Christopher Llewyn Ramirez), accused of teaching Darwin’s theory of evolution in his 2nd grade classroom. Leading Cates’s defense is Henry Drummond (Harry Lennix) who is grilling the prosecuting attorney—and his old friend—Matthew Harrison Brady (Alexander Gemignani) on the witness stand about philosophy and scriptures after the judge (Kevin Gudhal) has refused to allow any men or women of science to testify for the defense.

The fiery courtroom interchange between the two men leads to the scintillating climax of the Goodman Theatre’s superb revival of “Inherit the Wind” directed by Henry Godinez that opened Monday. The 1955 play, written by Jerome Lawrence and Robert E. Lee, is a fictionalized account of the 1925 Scopes Trial in Dayton, Tennessee that challenged the Butler Act outlawing the teaching of evolution in the classroom. Indeed, the injustice of suppressing alternate opinions and attempting to eliminate the free exchange of ideas flows throughout the play which explains its universal appeal on stage and in the memorable 1960 film starring Spencer Tracy and Frederic March.

For context, the title refers to Proverbs 11:29: “He that troubleth his own house shall inherit the wind: And the fool shall be servant to the wise of heart.” Exemplified in the overbearing nature of Reverend Jermiah Brown (Ryan Kitley) toward his daughter Rachel (Tyler), who is torn between the love she feels for Cates and her strict religious upbringing, and in the exchanges between Drummond and Brady, “Inherit the Wind” lays bare the differences in the individual beliefs of our existence. Perhaps the most salient point belongs to Drummond, who says: “The man who has everything figured out is probably a fool. College examinations notwithstanding, it takes a very smart fella to say ‘I don’t know the answer!’”

Director Godinez has assembled a stellar cast and creative team around the central characters involved in the trial. Lennix is commanding as Drummond, his folksy charm every bit a match for Gemignani’s swaggering fire and brimstone. Together they are simply terrific to watch. In supporting roles, Lawrence Grimm has a slick featured role as the radio man and among the townspeople in the fine ensemble that includes William Dick (Mayor), Terry Bell (Sillers), Charin Álvarez (Mrs. Brady) and Meighan Gerachis (Elijah). On the fringe of the proceedings is E.K.Hornbeck (Mi Kang), the cynical reporter who is covering the trial. The real life father/daughter team of Christopher Kale Jones as the trial attorney Tom Davenport and  Melinda (Presley Rose Jones) who is the friend of Thomas Murphy Molony’s Howard and Robert Schleifer (Meeker) all deserve special mention.

There is a down-home, natural and overall timeless vision on the creative side of the show that is first-rate. Collette Pollard’s elegant scenic design includes a stunning vista of the Hillsboro skyline above the stage, ever present within a shimmering skylight that mirrors the raked stage surface that serves as both the townsquare and the courtroom. Jessica Pabst’s costume design fits the period nature of the piece perfectly along with Jason Lynch’s crisp lighting and the subtle but effective original music and sound design by Richard Woodbury. While the sense is that the action is occurring at another place and time, this thought-provoking piece reflects the here and now, or for that matter, any instance when the threat to free speech and our personal liberties is so great that we must take an active stand and always seek the truth.  

(Note: An earlier version omitted Robert Schleifer..)      
PHOTO|Liz Lauren

Goodman Theatre
presents
Inherit the Wind
EXTENDED through October 20

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