PicksInSix Review: Things With Friends - American Blues Theater

Well-Done: Absurdist Things, Euphemistic Friends
PicksInSix® Review | Guest Contributor | Sarah Frances Fiorello

American Blues Theater kicks off its 40th anniversary season by kicking down the fourth wall with the world premiere of “Things With Friends” by Tony Award nominee, Pulitzer Prize in Drama finalist, Jeff Award Winner, and American Blues Theater Artistic Affiliate playwright, Kristoffer Diaz.  Diaz ushers us in voyeuristically, with the help of an immersive narrator, to this absurdist dinner party trapped in a Manhattan high-rise. Bring your metaphorical silverware and be prepared to dig in existentially: the menu includes (actual pan-cooked) steak, bottomless red wine, and never-ending euphemisms for the title of the play.

With a perfect view of the now-collapsed George Washington Bridge, Adele (Audrey Billings) and Burt (Casey Campbell) prepare for the arrival of their longtime friends, Vy (Cruz Gonzalez-Cadel) and Chabby (Jon Hudson Odom) against the backdrop of a real time climate disaster.  We watch as the two couples trade pawns in a twisted game of chess that reaches a boiling point just as a surprise visitor arrives. “Things With Friends” asks more questions than it answers, inviting its audience to think critically—not just as theatre goers but as global citizens.

Dexter Bullard’s direction is clear and specific, illuminating a string of pathway lights through the world of the play, telling us where to look, what to remember, and what to talk about on the way home. The direction also gives the ensemble of actors a well-defined sandbox in which to play, which they do with stamina and intention. Worth mentioning are standout performances by the quick-witted and slippery Jon Hudson Odom (Chabby) as well as the charismatic and irreverent Maya Lou Hlava (Joony), who rejoins the cast after appearing in the “Things With Friends” stage reading at American Blues Theatre in 2023, part of its Blue Ink Award recognition. 

Our narrator, NYC (played by Nate Santana) blurs the line between the audience’s role as observers and the actors’ role as storytellers, never allowing us to get too comfortable or judgmental of what we are witnessing. He comments on, and occasionally influences, the action while playing point-counterpoint to the more illogical and absurdist moments. He unpacks what the piece might otherwise leave to our imagination (or perhaps, confusion). Diaz’s inclusion of a narrator feels thoughtful: a nod to our effort of making it to the theatre to see something outside-of-the-box. A promise to leave us thinking about what we just saw, not wondering what we just saw.

“Things With Friends” is a slow burn, a methodical singe of the outermost sheen of these frenemies, while diving headfirst into the question American Blues Theater poses in its mission statement: “What does it mean to be American?” Who will we become as a society if we continue to crumble, like the bridges and tunnels of the ill-fated Manhattan of our play? What will happen when we are overrun with greed, selfishness, and fear—willing to sacrifice what arguably matters most?

Come ready to think and be prepared to leave wishing for more new works like this one: ingenious, thoughtful, and unafraid. This piece left me craving more original and daring art on our Chicago stages. That, and a perfectly cooked, medium rare steak.

GUEST CONTRIBUTOR | SARAH FRANCES FIORELLO is a graduate of Shenandoah Conservatory with a BFA in Music Theatre and a Chicago-based poet, writer, and performer. 
@writtenbysarahfrances

PHOTO|Michael Brosilow

American Blues Theater
presents
World Premiere
Things With Friends
5627 N Lincoln
through October 5, 2025

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PicksInSix Review: LOBBY HERO - Shattered Globe Theatre

Ethical Choices Drive Compelling ‘LOBBY HERO’
PicksInSix® Review | Guest Contributor | Ronald Keaton

Shattered Globe Theatre’s latest offering “Lobby Hero," a taut, fascinating piece delivered in an almost improvisational style with several fine performances, is playing at Theater Wit through March 1. The play is written by the accomplished director/playwright/screenwriter/actor Kenneth Lonergan and directed in a tight, emotional fashion by SGT member Nate Santana. “Lobby Hero” is an almost claustrophobic tale of mostly honest, hard-working folk confronted by ethical choices that somehow wind up in the same brew, even as they seem to tell different stories—an admirable feat.

All the action takes place in the lobby of a high-rise apartment building in the heart of Manhattan.  Jeff (Elliott Esquivel in a full, grab-your-attention performance) is a security guard in the lobby who dreams of bigger things, although he’s not always sure of what they are. Jeff uses his sense of humor as his shield, his badge of honor, his protection against people getting too close, even as he earnestly yearns for that human intimacy. His boss William (a smooth, yet somber Terence Sims) is unhappy with Jeff’s work attitude and performance, but he somehow gets past those obstacles to see that Jeff is, in essence, a sweet young man trying to find his own way. William is well-established in his job, having worked his way up to a supervisor position after years in the company, and he finds himself sharing quite a dilemma with Jeff in a problem with William’s brother.  You see, his brother has committed a very violent crime and wants William to help with an alibi for protection.

Meanwhile in a seemingly unrelated turn, two police officers at totally different phases of their careers have just arrived outside that apartment building.  Bill (SGT Ensemble Member Adam Schulmerich, appropriately cynical and tough), a jaded sergeant about to reach a new level of accomplishment in the precinct, is the senior partner to Dawn (the marvelous Emma Jo Boyden), who’s been on the job for three months and has just knocked out a suspect with her nightstick in a previous situation. She’s pretty shaken by it all and wonders if her job, probationary as it is, will be in jeopardy. Bill calms her, saying he has her back and will help protect her against any inquiry that will come. Another wrinkle here is that the two cops seem to have feelings for one another, even as Bill is married with children. The two then go inside and Bill goes upstairs to visit a friend… a friend with whom he’s having sex. And Dawn is left down in the lobby with Jeff, who begins to form a romantic approach to see if he can gain her favor.

That moment begins a slow melding of the two plotlines into one storyline. Jeff unwittingly shares with Dawn that this has happened before, something that shakes her naivete. Her views on Bill suddenly find a new stance as Bill gets off the elevator in the lobby, finished with his ‘visit’.  As they get outside, a betrayed Dawn confronts him. Bill begins a confession about the woman upstairs and her husband Jim, who, Bill says, is having a problem that he is helping him get through. Only there is no Jim up there; Jeff tiptoes out to tell Bill, in the middle of his discussion with Dawn, that “Mrs.” whatever her name is upstairs has called down to let him know that Bill forgot his hat. Bill is busted, tells Dawn to wait outside, and then he goes in to harass Jeff for telling secrets he shouldn’t be telling, intimidating him markedly in the process.

Each character here now has a serious ethical impasse to negotiate. William is forced to make a choice about what to do with and for his brother—tell the truth or provide the alibi. Bill is now having to deal with the results of his own wandering eye, which exposes the prospect for ever-ripening discovery of other doubtful career moments that could derail his professional ambitions. Dawn, wide-eyed and principled, continues to take the abuse from her partner until she knows the entire story—not of Bill, but of William and his brother in a case that has headline-making potential at the risk of her own job. And then who does she tell? Jeff, in all this and despite his own meandering competence, has now become the keeper of all the secrets in this narrative. Does he share with Dawn what he's been told about William’s choice to gain her favor, but lose his job? Can he survive all this and still face Bill, who would certainly seek some kind of retribution against him? What about his own simple dreams, which consist basically of getting his own apartment and that’s pretty much it?

Director Santana has encouraged here a lot of characters talking over each other, which creates an interesting, in-the-moment feel on José Manuel Díaz-Soto’s impressive set design. Santana cinematically utilizes lighting (a comfortable design here by Ellie Fey) to draw the audience into critically intimate moments and then expands on the comedy in an occasional and sudden full brightness onstage. It allows the audience the chance to be swept along without feeling manipulated by the stagecraft, and it’s all such fun to observe.

GUEST CONTRIBUTOR | RONALD KEATON received an Equity Jeff Award for the performance of his one-man show CHURCHILL. www.solochicagotheatre.com  Coming soon, his new solo play “Echo Holler.” www.echoholler.com

PHOTO | Michael Brosilow

Shattered Globe Theatre
presents
LOBBY HERO

Theater Wit
1229 W Belmont Ave Chicago
through March 1, 2025

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PICKSINSIX Review: CRIME AND PUNISHMENT

AMBITIOUS CRIME AND PUNISHMENT EXPLORES RETRIBUTION

Ambitious and absorbing … Shattered Globe Theatre launches their 28th season with an ambitious and absorbing ensemble production of Fyodor Dostoyevsky’s Crime and Punishment now playing at Theater Wit. Adapted by Chris Hannah and directed by ensemble member Louis Contey, the crime-thriller is set in mid-19th century St. Petersburg and features the compelling performance of Drew Schad as the tormented anti-hero, Raskonokov, whose murderous acts and retribution are central to the story.

The perfect crime … In the quietest moments of Raskolnikov’s contemplation, an inner voice reasons that life is no longer worth living. Consumed by poverty and clinging to a long and sordid financial arrangement with a pawnbroker which is his only source of income outside of the money his mother sends, Raskonokov plots the perfect crime to rid himself of her hold over him, rob her, and gain some small amount of financial security.

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Superbly intense … With the deed done, Raskolnikov’s conscience rages as he alternates between taking steps to cover his tracks and emboldening authorities to arrest him, spiraling into the dark state of denial of a guilt-ridden man. Schad’s superbly intense, driven performance explores the full range of fear, pathos and manic delusion of a man on the edge of madness.

Outstanding ensemble … Among the many desperate and flawed characters in Rasholnikov’s world is Marmeladov (Darren Jones) whose daughter Sonya (Ilse Zacharias) has become a prostitute and broken his spirit. Rasholnikov is also troubled by the news that his sister Dunya (Christina Gorman) has accepted an ill-advised marriage proposal and enlists his comrade, Razumikhin (Joseph Wiens) to help break it off. As the investigation proceeds, Rashonikov’s relationship with Sonya flourishes and he must face the consequences of his actions. Rounding out the outstanding ensemble who alternately play multiple featured roles are Rebecca Jordan, Jazzma Pryor, Daria Harper, Christopher Acevedo, Brad Woodward and Patrick Thornton.

Richly textured landscape … The brooding original music and ensemble vocals by composer Christopher Kriz add a powerful element to the work. Nick Mozak’s period, rustic bi-level set, with Shelley Strasser’s dynamic lighting and Hailey Rakowiecki’s costumes all intersect to create a richly textured landscape for the audience on both sides of Wit’s Theater Three.

Master classes … Shattered Globe Theater continues to develop new talent with its 2018-2019 Protégé Program. The program, now its ninth-year trains young artists in all aspects of Ensemble theater, including master classes with Ensemble members, with a goal of guiding protégés into the Chicago professional theater community. The program is free to participants and is headed this year by Nate Santana and Drew Schad.

PHOTOS|Michael Brosilow

Shattered Globe Theatre
Presents
CRIME AND PUNISHMENT
Theater Wit – Theater Three
1229 West Belmont
through October 20th
(773) 770-0333

WEBSITE

SGT Protégé Program

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