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Filtering by Tag: Ryan O’Gara

PicksInSix Review: Clue - Broadway in South Bend

 
 

Dying For Laughs In Riotous “Clue”
PicksInSix® Review |
Ed Tracy

What will strike you most at the top of the second national tour of “Clue” currently crisscrossing the country, is the massive foyer of a mansion where, in quick succession, the ensemble of characters arrive with invitation in hand and are then whisked off into a non-stop, comic murder mystery. And at the Broadway in South Bend opening on Friday night at the Morris Performing Arts Center, the audience was ready, willing and thoroughly entertained.

Yes, it’s a whodunit and bodies are popping up again and again until you realize there is no real mystery here, it is all for fun. This fine ensemble of comic actors who each define the familiar characters of the famous board game and 1985 film are now, well, for the most part, alive, until they are not. It is not a matter of who but when, how, and by whom, of course.

Unlike the Hasbro board game, there is only one possible conclusion in this production—original screenplay by Jonathan Lynn and book by Sandy Ruskin with additional material by Hunter Foster and Eric Price—that allows endless avenues and rabbit holes to explore along the way. Just as you think that it is all chaos and confusion, you are wrangled back on course with a twist of the knife or a fatal conk on the noggin that leads to another highly-stylized group romp from room to room.

Director Casey Hushion has the spirited company operating on full throttle for a precise 90 minutes, a mix of shock, awe and riotous antics you would expect when bodies are dropping left and right. It all unfolds on Lee Savage’s impressive and elegant mansion set with hidden doorways, expanding rooms, and spilt-second changes awash in the sights and sounds of a dark and stormy night courtesy of Ryan O’Gara’s stellar lighting design, Jeff Human’s keen sound design and all gussied up in Jen Caprio’s outrageous costumes.

The talented company who are in lock step all night are: Sarah Mackenzie Baron (Mrs. White), Adam Brett (Wadsworth), Camille Capers (Miss Scarlet), Nate Curlott (Colonel Mustard), Joseph Dalfonso (Mr. Boddy and others), TJ Lamando (Mr. Green), Madeline Raube (Mrs. Peacock), AT Sanders (The Cook and others), Zoie Tannous (Yvette), Kebron Woodfin (The Cop and others) and Kyle Yambiro (Professor Plum). Brett’s Wadworth has one of the longest and most hilarious death scenes ever. You can see that kind of thing in every character all night long. It’s over-the-top, just-for-laughs and it all flies by.

Coming up in the week ahead: the “Clue” tour travels to the Weill Center in Sheboygan, Wisconsin (6/1-2); the Ferguson Center for the Arts in Newport News, Virginia (6/4); the Clay Center in Charleston, West Virginia (6/5); and, the Koger Center for the Arts in Columbia, South Carolina (6/6-7) where they will be dying for laughs every night.

PHOTO | Evan Zimmerman for MurphyMade.jpg

Broadway in South Bend
presents
Clue
Morris Performing Arts Center
211 N Michigan Street
South Bend, Indiana
through May 31, 2026

WEBSITE

PROGRAM

For more reviews, visit: Theatre In Chicago

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PicksInSix Review: Disney's The Little Mermaid - Drury Lane Theatre

 
 

This ‘Little Mermaid’ Has Got Legs!
PicksInSix® Review | Ed Tracy

Sparkling performances that shimmer from head to tail highlight director Scott Weinstein’s delightfully bewitching and hugely entertaining revival of Disney’s “The Little Mermaid” that opened Thursday at Drury Lane Theatre in Oakbrook. The royal love story—with Alan Menken score, lyrics by Howard Ashman and Glenn Slater, and book by Doug Wright—is anchored by the stunning presence of Sarah Kay as Ariel and her stalwart Prince Eric played by Patrick Johnson. The timeless classic is a heartwarming fantasy adventure in a world that includes whimsical puppets, gorgeous costumes and magical special effects that will take your breath away.

That love story begins when Ariel, who has yearned for a new part of the world, away from the isolation of the underwater kingdom ruled by her father, King Triton (Anand Nagraj) and from her siblings, the Mersisters, saves Prince Eric from drowning. Fleeing from her father’s rage when he discovers what she has done, Ariel is lured into a pact with her evil aunt Ursula (Sawyer Smith) to trade her enchanting voice for the opportunity to explore the world in human form. But it all comes with a heavy price of Disney-style drama.

Ariel’s glistening underwater world is the work of scenic designer Tijana Bjelajac who crafts rock formations and massive stone laid columns together with sheer fabric all highlighted by Anthony Churchill’s projections and Ryan O’Gara’s lighting to simulate the mystical ocean depths and the stately kingdom that bursts with the color and rich texture of the costume design by Ryan Park and Zhang Yu. Those finely-feathered and floppy-finned friends in Ariel’s oceanic sphere—the creative artistry of Chicago Puppet Studio—come to glorious life in Kasey Alfonso’s superbly choreographed ensemble sequences. Music director Ellie Kahn brings out the brilliance in the iconic Menken/Ashman/Slater score performed in fine form by the Drury Lane Orchestra under the direction of Chris Sargent.

Michael Earvin Martin is terrific as the crab companion Sebastian, leading the company in the crowd pleasing “Under the Sea” and “Kiss the Girl.” Maya Lou Hlava’s Flounder, with the array of Sea Creatures, Gulls and Animals, are sure to make you smile. Landree Fleming shines as Scuttle in the playful “Positoovity|Positaggity” and you’ll love the zany antics of Matt Edmonds as the kooky French Chef Louis in “Les Poissons” along with the wonderful, and often hilariously understated, work of Rob Lindley as Grimsby, the Prince’s dutiful Guardian.

Few Disney villains compare in sinister scope to the sea-witch Ursula and Smith’s commanding presence in the role as the cunning sorcerous, with a couple of slippery eel sidekicks like Ryan Michael Hamman (Jetsam) and Leah Morrow (Flotsam) in tow, is magnificent. The trio are chilling in “Daddy’s Little Angel” and Smith brings the house down in a dazzling performance of “Poor Unfortunate Souls.”

It’s a night of fun filled comic chaos that keeps bubbling up with Kay’s marvelous, multi-layered performance at the heart of the show. Her exuberance, youthful charm and soaring vocal talents make Disney’s “The Little Mermaid” at Drury Lane a joy to watch and a destination for the holiday season and New Year.   

PHOTO|Brett Beiner

Drury Lane Theatre
presents
Disney’s
The Little Mermaid
100 Drury Lane
Oakbrook Terrace
through January 12, 2024

WEBSITE

TICKETS

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