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PicksInSix Review: Come From Away - Paramount Theatre

 
 

Paramount’s Heartwarming Hit Channels Friendship, Hospitality.
PicksInSix® Review | Guest Contributor | Regina Belt-Daniels


A quandary—at least that must have been what the residents of the Newfoundland town of Gander were dealing with as 38 airplanes carrying 6,579 passengers from 100 countries landed at the Gander airport on September 11, 2001. “Come From Away” marks both Paramount Theatre’s season opener for the 25-26 Broadway Bold Series as well as the Chicago Regional premiere of the show based on hundreds of hours of interviews with the Gander townspeople and the “come from away”(a.k.a. stranded) passengers. The award-winning show, the work of playwrights Irene Sankoff and David Hein who are also responsible for the music and lyrics, originated at the Jolla Playhouse in San Diego on its way to earning three Drama Desk awards (including Best Musical) and seven 2017 Tony Award nominations, winning for Best Direction.

The 90-minute musical (no intermission) is masterfully directed by the multiple Jeff Award-winning Trent Stork, and joins a prestigious string of hits—27 in all—of outstanding Paramount productions including “Cats,” “Frozen,” “Kinky Boots,” and “School of Rock” among others. Stork has assembled a clever and creative production team including choreographer Kasey Alfonso, scenic designer Milo Bue, costume designer Izumi Inaba, lighting designer Greg Hoffman, sound designer Adam Rosenthal, projections Mike Tutaj, wigs hair and makeup designer Katie Cordts and dialect coach Susan Gosdick. Stage manager Amber R. Dettmers keeps the well-paced show running smoothly.

This production is in the capable hands of Music Director Kory Danielson with the very talented Associate Musical Director Kailey Rockwell conducting the performance on Sunday evening. The songs are heart-tugging, lively, energetic, determined and performed flawlessly by Danielson’s eight-piece band, some who are seated on stage and are included in the story. Most notable of the 14 songs are the company sung “Welcome to the Rock,” “Screech In,” “Something is Missing,” and the standout performances of “I Am Here” by Soara-Joye Ross (Hannah) and “Me and the Sky” by Andrea Prestinario (Captain Beverley), both of whom have amazing vocal ranges.

Each member of the ensemble of 18 create multiple endearing and vibrant characters celebrating friendship, compassion, and extraordinary hospitality. The themes of kindness, global community and resilience resonate in everyone, however, I did favor Russell Konstans’s Mayor; Nick Druzbanski’s Constable Oz; Abby C. Smith’s Gander citizen Beulah, and the already mentioned Soara-Joyce Ross’s worried mom Hannah and Beverley Bass, the first female American Airline captain played by Andrea Prestinario.

There is plenty of charming humor in both the songs and dialogue surprisingly in such a historically tragic event. In “Welcome to the Rock,” which introduced both the plot and setting, we hear “small place on a rock in the ocean, and you won’t understand half of what we say,” comments about the infamous Tim Horton’s where everything starts and ends, the six cardiologists dance and the reason why the planes were sent to Gander.

“Come From Away” is entertaining, educational and sings of miracles. There is something for everyone, even as we recognize and remember the tragedy of 911. You will be crying and dancing through the finale with the superb cast. You don’t have to ‘come from away’ to enjoy this heartwarming story and you have until October 12 to experience it yourself.

Postscript: There is another existing quandary in Aurora. The City Council of Aurora has cut Paramount’s budget impacting future shows at the Copley—which closed a critically acclaimed production of “True West” last weekend—and has already canceled upcoming productions of “Covenant” and “Ride the Cyclone.” Paramount Theatre is among the largest subscription series in the country and yet the theater now is facing an inevitable reduction to its overall programming from 900 to 700 performances annually. “Million Dollar Quartet” is thriving at the year-old Stolp Island Theatre even as additional reductions to the Riveredge Park and Paramount School of the Arts are on the table. Hopefully, the City Council will reconsider this key investment in the arts for the citizens of Aurora and the surrounding region.

Guest Contributor|Regina Belt-Daniels is a retired special education teacher who has acted, directed, and staged managed throughout Illinois and has reviewed theater for numerous publications for over a decade.

PHOTO|Brett Beiner 

Paramount Theatre
presents
Chicago Regional Premiere
Come From Away
23 E Galena Blvd
Aurora
through October 12, 2025


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For more reviews, visit: Theatre In Chicago

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PicksInSix Review: CATS - Paramount Theatre

 
 

Spectacular Revival Under The Big Top!
PicksInSix® Review | Guest Contributor | Kaitlyn Linsner

I must admit something. Despite being a big musical theater and even bigger cat fan, Andrew Lloyd Webber’s “Cats” never appealed to me. I more so enjoyed the pop culture references that poked fun of cats singing and dancing on stage. Even one of my favorite cartoons as a kid, Hey Arnold, had an episode where one of the characters attends, and laughs through, a musical called Rats—an obvious parody of “Cats.” I found that quite funny, and so, as one might expect, I arrived at Paramount Theatre’s revival of “Cats” with some hesitancy.

It did not take me long to change my tune. This circus-themed production of “Cats,” directed by Trent Stork, transforms the Jellicle Ball into a larger-than-life event. As one of the longest-running shows in Broadway history, clearly the glitz, glam and weirdness of “Cats” has mesmerized audiences for over 40 years. Paramount Theatre takes the dazzling dance musical to literal new heights with aerial arts, acrobatics, contortion and juggling. The audience “ooo’d” and “ahh’d” from start to finish.

The scenic design by Jeffrey D. Kmiec and projections design by Paul Deziel are remarkable. From the big top tent to the oversized props and big glowing moon, a magical world was created where cats displayed their vast array of talents and embraced fanciful oddities. It took me some time to realize “Cats” is basically a talent show for cats. By making the production a circus, leaning into the spectacle of it all felt both natural and quite fun. Plus, the addition of circus props, like red balloons, made for visually stunning moments throughout.

The impressive choreography by Kasey Alfonso did well to capture the essence of feline behavior and tell the story of each cat with energetic and stylish flair. Stand out dance performances include Bombalurina (Tiffany Topol), Demeter (Alexandra Palkovic) and Company during “Macavity: The Mystery Cat” and Mistoffelees’ (Christopher Kelley) dance solo. Kelley was a real showman and executed his dance solo with ease. The costumes by Izumi Inaba also added such personality by featuring a unique mixture of lush colors and textures. Old Deuteronomy’s (Lorenzo Rush Jr.) coat stood out in particular with its fuzzy opulence.

The sheer talent of this ensemble also makes “Cats” a must-see. The production features a whimsical combination of breathtaking circus artistry, stunning vocals and movement. Emily Rohm delivers an enchanting performance as Grizabella which earns her the ascent to the Heavyside Layer via a high-flying trapeze up and over the audience and into the balcony. Old Deuteronomy’s (Rush) sweet-sounding and smooth vocals enhanced each scene he entered, and Rum Tum Tugger (Donovan Hoffer) packs a ferociously controlled punch throughout the show.

Die hard “Cats” fans, newbies and even skeptics like me will find this revival truly entertaining. With such wide appeal, and in true circus fashion, seems only fitting to say “come one, come all” You don’t want to miss this.

GUEST CONTRIBUTROR | Kaitlyn Linsner serves as an Assistant Attorney General in the Public Utilities Bureau of the Office of the Illinois Attorney General.

PHOTO|Brett Beiner Photography

Paramount Theatre
presents
CATS
23 East Galena Boulevard
Aurora, IL
through June 15, 2025


TICKETS

WEBSITE


For more reviews, visit: Theatre In Chicago

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