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PicksInSix Review: Come From Away - Paramount Theatre

 
 

Paramount’s Heartwarming Hit Channels Friendship, Hospitality.
PicksInSix® Review | Guest Contributor | Regina Belt-Daniels


A quandary—at least that must have been what the residents of the Newfoundland town of Gander were dealing with as 38 airplanes carrying 6,579 passengers from 100 countries landed at the Gander airport on September 11, 2001. “Come From Away” marks both Paramount Theatre’s season opener for the 25-26 Broadway Bold Series as well as the Chicago Regional premiere of the show based on hundreds of hours of interviews with the Gander townspeople and the “come from away”(a.k.a. stranded) passengers. The award-winning show, the work of playwrights Irene Sankoff and David Hein who are also responsible for the music and lyrics, originated at the Jolla Playhouse in San Diego on its way to earning three Drama Desk awards (including Best Musical) and seven 2017 Tony Award nominations, winning for Best Direction.

The 90-minute musical (no intermission) is masterfully directed by the multiple Jeff Award-winning Trent Stork, and joins a prestigious string of hits—27 in all—of outstanding Paramount productions including “Cats,” “Frozen,” “Kinky Boots,” and “School of Rock” among others. Stork has assembled a clever and creative production team including choreographer Kasey Alfonso, scenic designer Milo Bue, costume designer Izumi Inaba, lighting designer Greg Hoffman, sound designer Adam Rosenthal, projections Mike Tutaj, wigs hair and makeup designer Katie Cordts and dialect coach Susan Gosdick. Stage manager Amber R. Dettmers keeps the well-paced show running smoothly.

This production is in the capable hands of Music Director Kory Danielson with the very talented Associate Musical Director Kailey Rockwell conducting the performance on Sunday evening. The songs are heart-tugging, lively, energetic, determined and performed flawlessly by Danielson’s eight-piece band, some who are seated on stage and are included in the story. Most notable of the 14 songs are the company sung “Welcome to the Rock,” “Screech In,” “Something is Missing,” and the standout performances of “I Am Here” by Soara-Joye Ross (Hannah) and “Me and the Sky” by Andrea Prestinario (Captain Beverley), both of whom have amazing vocal ranges.

Each member of the ensemble of 18 create multiple endearing and vibrant characters celebrating friendship, compassion, and extraordinary hospitality. The themes of kindness, global community and resilience resonate in everyone, however, I did favor Russell Konstans’s Mayor; Nick Druzbanski’s Constable Oz; Abby C. Smith’s Gander citizen Beulah, and the already mentioned Soara-Joyce Ross’s worried mom Hannah and Beverley Bass, the first female American Airline captain played by Andrea Prestinario.

There is plenty of charming humor in both the songs and dialogue surprisingly in such a historically tragic event. In “Welcome to the Rock,” which introduced both the plot and setting, we hear “small place on a rock in the ocean, and you won’t understand half of what we say,” comments about the infamous Tim Horton’s where everything starts and ends, the six cardiologists dance and the reason why the planes were sent to Gander.

“Come From Away” is entertaining, educational and sings of miracles. There is something for everyone, even as we recognize and remember the tragedy of 911. You will be crying and dancing through the finale with the superb cast. You don’t have to ‘come from away’ to enjoy this heartwarming story and you have until October 12 to experience it yourself.

Postscript: There is another existing quandary in Aurora. The City Council of Aurora has cut Paramount’s budget impacting future shows at the Copley—which closed a critically acclaimed production of “True West” last weekend—and has already canceled upcoming productions of “Covenant” and “Ride the Cyclone.” Paramount Theatre is among the largest subscription series in the country and yet the theater now is facing an inevitable reduction to its overall programming from 900 to 700 performances annually. “Million Dollar Quartet” is thriving at the year-old Stolp Island Theatre even as additional reductions to the Riveredge Park and Paramount School of the Arts are on the table. Hopefully, the City Council will reconsider this key investment in the arts for the citizens of Aurora and the surrounding region.

Guest Contributor|Regina Belt-Daniels is a retired special education teacher who has acted, directed, and staged managed throughout Illinois and has reviewed theater for numerous publications for over a decade.

PHOTO|Brett Beiner 

Paramount Theatre
presents
Chicago Regional Premiere
Come From Away
23 E Galena Blvd
Aurora
through October 12, 2025


WEBSITE
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PROGRAM

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PicksInSix Review: The Full Monty-Paramount Theatre

 
 

Paramount’s “Full Monty” Really Measures Up!
PicksInSix® Review | Ed Tracy

Do not fear. If you are looking for a big, bawdy, unabashed comic revival—with all the twists, turns and pelvic thrusts you can imagine—then Paramount Theatre’s “The Full Monty” is the show for you. Sure, it’s suggestive and saucy, but beyond the boisterousness, it’s a moving story about building self-esteem through dedication, hard work and the support of friends and family. Adapted for the stage by Terrence McNally with a lot of heart there are surprises galore to be found in the music and lyrics by David Yazbek. Add in a terrific cast and you’ve got a winner from top to bottom!

Based on the 1997 hit film about six out-of-work steel workers who decide to bare it all at a local nightclub to pay the bills, the ten-time Tony Award nominated 2000 Broadway musical was reset to middle class America in Buffalo, New York. Jerry Lukowski (Ben Mayne) is struggling to maintain a relationship with his son Nathan (a split role for Will Daly and Ellis Myers) and stuck trying to catch up with child support payments to his wife Pam (Rebecca Hurd) during their divorce. Jerry and his buddy Dave Bukatinsky (Jared David Michael Grant), who is under similar pressure from his wife Georgie (Veronica Garza) to take a security job to tide things over, decide to hatch a plan to make a bundle at a one-night-only strip show at Tony Girodano’s club.

The two first recruit the depressed and despondent Malcom MacGregor (Adam Fane) and then turn to Harold Nichols (Jackson Evans), a former plant supervisor-turned-dance-instructor to help them put the act together. The men then team up with Jeanette Burmeister (Liz Pazik), an adorably salty rehearsal pianist for auditions. Busting out of the pack at auditions Noah “Horse” T. Simmons (Bernard Dotson) and Ethan Girard (Diego Vazquez Gomez) round out the somewhat dubious, but committed, sextet who hilariously transform into “Hot Metal” before the night is done.

At every turn, Director Jim Corti with choreographer Tor Campbell meticulously move the men from initial awkwardness and insecurity forward. It all plays out against scenic designer Michelle Lilly’s brilliant skyline of Buffalo, framed by a massive, multi-story urban landscape that morphs effortlessly from night club to rehearsal hall where the men perfect their dance steps often in uncontrolled unison when least expected.

Music director/conductor Kory Danielson and the orchestra are in exceptionally fine form with Yazbek’s first Broadway score that features the men in “Scrap,” “Michael Jordan’s Ball” and “Big Black Man” (featuring Dotson in a commanding performance), the women in “It’s a Woman’s World,” and the company in the rousing “The Goods.”  Pazik is a blast in “Jeanette’s Showbiz Number” while Mayne and Grant team up well for “Man” and are joined by Fane in the somewhat dark themed, but clever, “Big-Ass Rock.”

Among the quieter moments, Ann Delany “Life with Harold” is a delight. Mayne is superb in “Breeze Off the River” while Evans and Grant shine in the anthem “You Rule My World.”  The inspirational musical highlight of the night belongs to Fane for his soaring vocal in the hymn-like “You Walk with Me” with Gomez that helps pave the way for the showstopping finale “Let it Go” which is full of bright lights and “Hot Metal” enough for everyone.  

PHOTO|Liz Lauren

PARAMOUNT THEATRE
presents
THE FULL MONTY
The Broadway Musical
through October 6, 2024


23 East Galena Boulevard
Aurora, IL 60506


(630) 896–6666

WEBSITE

TICKETS

For more reviews, visit: Theatre In Chicago

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